Homicide detective John Hobbes witnesses the execution of serial killer Edgar Reese. Soon after the execution the killings start again, and they are very similar to Reese’s style.

Mexican beauty Camilla hopes to rise above her station by marrying a wealthy American. That is complicated by meeting Arturo Bandini, a first-generation Italian hoping to land a writing career and a blue-eyed blonde on his arm.

After starring in the romantic comedy hit HOW TO LOSE A GUY IN 10 DAYS, Matthew McConaughey and Kate Hudson up the action ante for this adventure film. In this action-comedy hybrid, the pair plays a divorced couple who reunite to search for sunken treasure. Andy Tennant (HITCH, SWEET HOME ALABAMA) directs a cast that also includes Donald Sutherland, Ewen Bremner, and Ray Winstone.

In class-conscious England near the close of the 18th century, the five Bennet sisters–Elizabeth, or Lizzie, Jane, Lydia, Mary, and Kitty–have been raised well aware of their mother’s fixation on finding them husbands and securing set futures. The spirited and intelligent Elizabeth, however, strives to live her life with a broader perspective, as encouraged by her doting father. When wealthy bachelor Mr. Bingley takes up residence in a nearby mansion, the Bennets are abuzz. Amongst the man’s sophisticated circle of London friends and the influx of young militia officers, surely there will be no shortage of suitors for the Bennet sisters. Eldest daughter Jane, serene and beautiful, seems poised to win Mr. Bingley’s heart. For her part, Lizzie meets with the handsome and–it would seem–snobbish Mr. Darcy, and the battle of the sexes is joined. Their encounters are frequent and spirited yet far from encouraging. Lizzie finds herself even less inclined to accept a marriage proposal from a distant cousin, Mr. Collins, and–supported by her father–stuns her mother and Mr. Collins by declining. When the heretofore good-natured Mr. Bingley abruptly departs for London, devastating Jane, Lizzie holds Mr. Darcy culpable for contributing to the heartbreak. But a crisis involving youngest sister Lydia soon opens Lizzie’s eyes to the true nature of her relationship with Mr. Darcy.

In director Wolfgang Petersen’s fast-paced, intelligently written thriller, Dustin Hoffman plays Col. Sam Daniels, an expert on infectious diseases who is called in to study the outbreak of a deadly illness in Zaire. He finds a virus that spreads so quickly it could wipe out an entire nation in just a few weeks, and he believes that it might have spread to the United States. With the help of his ex-wife (Rene Russo), who works at the Centers for Disease Control, Daniels tracks the virus to the quiet seaside town of Cedar Creek, California. His superiors’ reticence to help begins to raise questions in Daniels’s mind, and he must find a cure before a panicky U.S. army general decides to kill the town’s populace in order to save the world.

Fifth Avenue socialite Ouisa Kittredge (Stockard Channing) and her purveyor of high-art husband Flan (Donald Sutherland), are pedigree parents of “two at Harvard and one at Groton.” But the privileged insular world inhabited by the Kittredge family, as well as their public status as distinguished arbiters of culture, makes them easy prey for a consummate con-artist like Paul (Will Smith). One night, he mysteriously shows up at their front door–injured and bleeding–claiming to be Sidney Poitier’s son and a close college crony of the Kittredges’ Ivy League progeny. Impressing Ouisa and Flan with his articulate literary expositions, Paul proves to be a sharp-witted, learned young man with epicurean taste and surprising culinary skill. His highbrow facade is so charmingly persuasive, Paul soon has the Kittredges loaning him money, putting him up for the night and taking satisfaction in his appraisal of their posh lifestyle. Much to the Kittredge’s shock Paul is revealed to be a highly persuasive con-man, who has charmed his way into many upper-crust homes along the upper East side with his wit and insider knowledge. As Paul’s plot unravels he becomes an urban legend of the upper crust, a witty anecdote to banter about at cocktail parties. However, he has a profound effect on the many individuals who encounter him, linking them in their shared experience.
This film version of John Guare’s highly successful stage play features remarkable ensemble acting and incredibly witty dialogue with an insider’s ear for the excesses and delights of upper crust Manhattan.

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