Deshu was a mechanic in Dubai, who comes home to Mumbai after his mother’s death, and gets embroiled in a crime by accident. The film shows his meteoric rise from common, law-abiding man to underworld kingpin.

Sanjay Dutt stars in this lively comedy as Munna, a disreputable drunkard and slacker living in Mumbai. When his uptight, morally strict father (Sunil Dutt) decides to visit, Munna pretends to be a doctor at a charity hospital, organizing an elaborate charade which, of course, soon turns into a disaster. Jimmy Shergil, Arshad Warsi, Gracy Singh, and Rohini Hattangady costar in Rajkumar Hirani’s lighthearted 2003 film.

Life of a very serious girl Naina, changes on the arrival of her new neighbour, Aman, who teaches her a new way to live.

Legendary car thief/booster Randall ‘Memphis’ Raines (Nicolas Cage) retired from the criminal life in 1995. Now five years later after Auto Thieft in the greater Los Angeles/Long Beach district went down by 47%, his brother, Kip Raines (Giovanni Ribisi) takes over ‘the job’, employed by British car broker Raymond Calitri. When one night Kip messes up stealing some cars, Memphis gets called back to the life he got out of. His most impossible mission: Steal 50 exotic cars all over Los Angeles and Long Beach and deliver them to Long Beach Harbor, Pier 14 by 8:00am, Friday morning, on the button, or watch Calitri kill Kip. And so Memphis, with the help of longtime friend Otto Halliwell (Robert Duvall) reassembles his old crew which includes sexy Sara ‘Sway’ Wayland” (Academy award-winner Angelina Jolie), a renegade white-haired mechanic by day, bartender by night, to pull off the biggest mission ever. The only problem is the LAPD G.R.A.B. (Governor’s Regional Auto Bureau) is on the lookout and Dt. Roland Castlebeck (Delroy Lindo) and his partner are keeping close eyes on Memphis and his team. Can the team pull this assignment off and collect $200,000 in cash? Will Kip finally realize that car boosting is dangerous? And can Memphis escape Castlebeck and the cops? It’s a long shot, but they may have a chance. Cut to the chase.

Jovial comedy Old School sees three thirtysomething friends with woman troubles (Luke Wilson, Will Ferrell and Vince Vaughn) deciding to form a college fraternity. It’s supposedly to save Wilson from losing his house, which the nearby college is trying to claim for academic purposes, but really Ferrell and Vaughn are desperate to return to the reckless, feckless days of beer bongs and hot chicks, and they drag Wilson along with them as they throw themselves into gathering frat pledges of all ages. Old School could have been just another string of bad jokes hanging on a flimsy plot, but the script and the cast have energy and just enough grounding in reality–at least, up until the obligatory beat-the-system ending, but by that point you’ll forgive the excesses of this silly, cheerful, and frequently funny movie. Featuring Jeremy Piven and Juliette Lewis, with cameos by Snoop Dog, Andy Dick, and others

Cyberspace is a world protected by firewalls, passwords and the most advanced security systems. In this world we hide our deepest secrets, our most incriminating information, and of course, a whole lot of money. This is the world of Swordfish. Gabriel Shear, a charismatic and dangerous spy, needs to get inside this world. If he can get in, billions in illegal government funds wait for the taking. To actually steal the money, however, he’ll need the help of Stanley Jobson, a former superhacker who’s now desperate and penniless. Stanley has been forbidden to get within 50 yards of the nearest electronics store after doing time for wreaking havoc on the FBI’s controversial high-tech cyber surveillance operations. Gabriel and his beautiful partner Ginger lure Stanley into their clandestine world, baiting him with the things he can’t have – a chance to reunite with Holly, the daughter he lost during a bitter divorce battle and the opportunity to start a new life.

When a sports agent has a moral epiphany and is fired for expressing it, he decides to put his new philosophy to the test as an independent with the only athlete who stays with him.

While helping his latest client woo the fine lady of his dreams, a professional ‘date doctor’ finds game doesn’t quite work on the gossip columnist with whom he’s smitten.

AMERICAN BEAUTY tells the story of Lester Burnham (Kevin Spacey), a suburban father who snaps when he becomes disgusted with his stale, repetitive existence. Burnham lets us know in voice-over from the film’s opening that this is the day he dies (using the SUNSET BOULEVARD flashback approach), a technique that adds an inevitable tension to the proceedings and keeps the story moving forward at all times. On a whim, Lester quits his job and begins a regression into young adulthood, lifting weights, smoking pot, doing nothing, and discovering the overflowing sexuality of his 16-year-old daughter’s best friend, Angela (Mena Suvari). His wife, Carolyn (Annette Bening), has her own midlife crisis of sorts. A real estate agent, she experiences a youthful awakening when super-agent Buddy Kane (Peter Gallagher) seduces her repeatedly. Meanwhile, Jane (Thora Birch), the Burnhams’ daughter, is pursued by Ricky (Wes Bentley), the mysterious boy next door who carries a video camera around with him at all times. When Ricky’s militaristic father, Colonel Fitts (Chris Cooper), discovers something potentially horrifying on one of his tapes, and when Carolyn’s rage for Lester’s actions boils over, the time bomb finally explodes.

Tricked into thinking he killed his father, a guilt ridden lion cub flees into exile and abandons his identity as the future King.

Life along the Great Barrier Reef is full of dangers when you are a tiny clown fish. And for Marlin, a single parent determined to protect his only son Nemo, there are constant fears and anxieties. When, on his first day of school, Nemo defies his father and swims off alone to investigate a boat, he is suddenly scooped up by a diver as Marlin helplessly watches. Marlin turns desperate as he frantically swims off in search for his son. As he passes a school of fish he bumps into Dory, an agreeable blue tang with severe short-term memory loss, who offers to help. Together this aquatic odd couple set out on an impossible mission, finding themselves in troubled waters and contending with such hazards as sharks, deadly angler fishes and a forest of jellyfish. Meanwhile, in a dentist’s office overlooking Sydney Harbor, Nemo has landed in a fish tank that is home to a colorful group of characters who want to initiate him into their gang. When word of Marlin and Dory’s ocean adventures gets back to Nemo, he is so thrilled to learn of his father’s search for him that he becomes motivated to move forward with a daring escape plan of his own.

A computer hacker learns from mysterious rebels about the true nature of his reality and his role in the war against the controllers of it.

When a woman’s long-time friend says he’s engaged, she realizes she loves him herself… and sets out to get him, with only days before the wedding.

By the marginal-or-miss standards of British TV spin-offs, Ali G in da House is well above adequate, even though it drags out every smart line or decent routine until they lie dead on the screen just begging for a laugh track. The film pulls back a bit from the absolute obnoxiousness of the Ali G TV skits, which makes Sacha Baron Cohen’s character bearable at feature length, but also significantly less funny. Here it is finally confirmed that Ali is a weedy white kid called Alistair who pretends to be Jamaican, rather than a weedy white comedian doing a Jamaican character.


Believe it or not, there’s actually a plot, with a scheming Chancellor of the Exchequer (Charles Dance) recruiting Ali as a parliamentary candidate for Staines in a devious attempt to unseat Prime Minister Michael Gambon. Yet this framework is really an excuse for the sketch-like bits, such as a Los Angeles ghetto movie fantasy, Ali G addressing a meeting of lesbian feminists (“I’ve seen a lot of your videos”), and Charles Dance forced to read a budget speech in Ali G speak. Oddly, the film makes early-1990s jokes about Tories rather than going after New Labour, but any political satire here comes in second to knob-polishing jokes and sometimes-hilarious patter. Luckless inhabitants of the M4 corridor will nod ruefully at the final gag, in which Ali G persuades the PM not to devastate Staines and nods agreement as Gambon reassures him, “it’s all right, we’ll destroy Slough instead”.

Two South Miami cops, Mike Lowrey, a wild bachelor and Marcus Burnett, a family man, must find $100 million in stolen heroin before their department is shut down. In a race against time, detectives Burnett and Lowrey track a master thief into the Miami underworld, dodging bullets and bad guys along the way. A sexy witness can identify the thief, but when she calls the station, she’ll only talk to Lowry–and he’s not around. Acting quickly, Burnett impersonates his partner to take the call, but there’s only one catch: He has to pretend to be Lowrey for the duration of the case or risk losing her trust. Now, between shoot-outs and car chases, married man Burnett has to stick close to their only eye witness while playboy Lowrey goes home to his partner’s wife and kids, maintaining the charade until the case is solved.

An undercover cop infiltrates an underworld subculture of Los Angeles street racers looking to bust a hijacking ring, and soon begins to question his loyalties when his new street racing friends become the prime suspects.

After lying to his girlfriend, orthopedic surgeon Samir (Salman Khan) must conjure up a pretend wife in this musical comedy. The doctor keeps women at bay by telling them he’s married, but he doesn’t count on falling for model Sonia (Katrina Kaif), who refuses to accept her suitor’s marriage proposal until she meets his phantom spouse. Chaos ensues when Samir coerces his loyal nurse (Sushmita Sen) to pose as his wife. Sohail Khan co-stars.

Friendship… the beginning of every relationship, ends in love. And love… well it can have 2 ends, a happy and a sad one… or can there be a third ending for these 3 friends? Mujhse Dosti Karoge! A story of 3 friends, who truly know the meaning of the word… Dosti!

Playing God has its consequences, which is the theme of the tricky time-travel shockfest THE BUTTERFLY EFFECT. J. Mackye Gruber and Eric Bress, who share writing and directing credits, make a splash with a gripping script that never fails to throw twists and loops into the plot. Both thematically and visually, the film is similar to the perfect commercial filmmaking in the team’s script for FINAL DESTINATION II.
Here, Evan Trehorn (Ashton Kutcher) is a college student who has suffered from blackouts and memory loss since he was a child. Tormented by deeply repressed childhood memories, he has visions of his best friend and first love Kayleigh (Amy Smart) as a child (Irene Gorovaia) whose Dad (Eric Stoltz) is a child molester, and whose brother Tommy has a serious sadistic streak. In search of greater clarity, Evan pores over his journals and is physically transported back in time where he is still a young boy (John P. Amedori) and has the ability to change what happened. But soon he realises that changing history has caused calamitous results elsewhere. A mesmerising thriller with a dark underlying mystery, THE BUTTERFLY EFFECT is delightfully chilling.

In 1863, Amsterdam Vallon returns to the Five Points area of New York City seeking revenge against Bill the Butcher, his father’s killer.

An ogre, in order to regain his swamp, travels along with an annoying donkey in order to bring a princess to a scheming lord, wishing himself King.

Chilling portrait of a Sicilian family’s rise and near fall from power in America and the passage of rites from father to son. Based on a novel by Mario Puzo.