A pair of corporate spies who share a steamy past hook up to pull off the ultimate con job on their respective bosses.

Adapted from William Shakespeare’s play “The Taming of the Shrew,” 10 Things I Hate About You starts off with Cameron, new student at Padua High, sitting in the office of the quirky guidance counselor Ms. Perky. He is then shown around the school by Michael, who will become his best friend. During his tour is when Cameron first sees Bianca Stratford, a beautiful sophomore with one problem: she isn’t allowed to date. And neither is her “shrew” sister, Katarina, a senior who loves indie rock and feminist prose and hates conformity. But Kat and Bianca’s father alter’s his house rule: now, Bianca can date… as long as Kat has a date, too. Now, in order for Cameron to date Bianca, he has to find someone to date Kat. So Michael helps him enlist the help of pretty-boy/jerk/model Joey Donner, tricking him into thinking that *he* will get to take Bianca out if he pays someone to take out Kat. His choice: Patrick Verona, a bad-boy with a mysterious reputation–some say he ate a live duck once, others that he lit a state trooper on fire, and even more claim that he had a brief porn career. Will Patrick win Kat’s heart? Will Cameron win Bianca’s? Or will everything hit the fan…?

Will Freeman, a shallow thirty-something bachelor, lives a carefree life courtesy of his deceased father’s fortune. Will is terrified of commitment and hence decides that single mothers will make the easiest romantic targets. His world is turned around when he meets Marcus, a twelve year old boy. Based on the best selling novel by Nick Hornby.

A.I. ARTIFICIAL INTELLIGENCE is the story of David (Haley Joel Osment), the first mecha (a futuristic term for a mechanized human being) designed with the ability to love. A couple whose son is in a coma “adopts” David to help them recover from their loss. Naturally, things do not go as planned, and David is forced to leave the mother (Frances O’Connor) he’s been “imprinted” to love, and make his way in the world. Traveling with Teddy, a hi-tech stuffed bear, David escapes the Flesh Fair, where angry humans destroy mechas to “purge artificiality,” and unexpectedly befriends Gigolo Joe (Jude Law in a wry performance), a robot designed to pleasure women. Joe agrees to help David in his quest to become human.
Director Stanley Kubrick originally developed A.I., at one point asking Spielberg to direct it. When Kubrick passed away, Spielberg took the reins. Using a treatment and thousands of drawings commissioned by Kubrick, Spielberg wrote his own screenplay (his first since 1979’s CLOSE ENCOUNTERS OF THE THIRD KIND). Osment, perhaps the only pre-teen actor who can effectively convey existential angst, gives a marvelous performance, helping Spielberg create a gorgeous futuristic fairy tale that questions the very nature of what we call life.

When maverick DEA agents Sean Vetter (Vin Diesel) and Demetrius Hicks (Larenz Tate) team-up to bust notorious drug overlord “Memo” Lucero (Geno Silva), they soon find themselves in grave danger. When an attempted retaliatory strike by Lucero’s gang results in the murder of Vetter’s wife, Vetter violently confronts Lucero in his jail cell. Vetter hears the crime boss proclaim his innocence, and realizes that he and his DEA cohorts must go after the mysterious Diablo, who now appears to be running all drug-related business on the California-Mexico border. As the investigation into Diablo begins, Vetter’s mind becomes clouded by revenge fantasies for his dead wife, and he is soon relinquished of his duties as an officer after a routine bust turns into a bloodbath. Forming a gang of rogue buddies from their days as street punks, Vetter and Hicks decide to risk everything and go above the law to track down the shadowy Diablo.
Director F. Gary Gray (FRIDAY) ensures that Vin Diesel’s action-hero rep is cemented in this violent revenge tale. The fast-paced action builds to a visceral, nail-biting crescendo that is sure to appease any fans of Diesel’s previous thrill-packed movies, THE FAST AND THE FURIOUS, and XXX.

Waging his one-man war on the world of organized crime, ruthless vigilante-hero Frank Castle sets his sights on overeager mob boss, Billy Russoti. After Russoti is left horribly disfigured by Castle, he sets out for vengeance under his new alias: Jigsaw. With the “Punisher Task Force” hot on his trail and the FBI unable to take Jigsaw in, Frank must stand up to the formidable army that Jigsaw has recruited before more of his evil deeds go unpunished.

Matt Dillon (born February 18, 1964) is an Academy Award-, Golden Globe Award-, and BAFTA Award-nominated American actor.

Two 15-year old girls from different sides of the tracks compete to see who will be first to lose their virginity while at camp.

In this post-coming-of-age comedy, a high school reunion in a small Massachusetts town gives a group of buddies plenty of opportunities to try and sort out their views about women and life. From the former stud-turned-snowplow operator to the aspiring nightclub musician who escaped to New York, these clueless cads can only hope for some female guidance.

Howard Brackett’s high school English students are astonished. Is it really true that their favorite high school teacher may be gay? But hey, he can’t be gay; he’s about to get married! Then again, he also teaches the drama class and boy, does he love those Barbra Streisand records… It all happened to Howard faster than you could say “Don’t Ask, Don’t Tell.” One of his former students became a Hollywood superstar, and clumsily called Howard’s sexuality into question–on the Academy Awards telecast, no less. Instantly Howard’s tranquil life in Greenleaf, Indiana has turned upside down. Greenleaf has now become the scene of a media-feeding frenzy with Howard as bait. Peter Malloy, a slick and aggressive TV reporter, is determined to move in for the kill and get Howard to speak the truth. Meanwhile, Howard is only days away from his wedding to Emily Montgomery, the fiancee he’s managed to hold at bay a full three years.

Vivid documentary-like anecdotes focusing on a homeboy who is a sociopathic killer and another who tells the story of how their parents’ lives also fed the cycle of drug use, casual homicide and monstrous, mind-numbing violence.

Rob Gordon is the owner of a semi-failing record store in Chicago where he sells music the old fashioned way- on vinyl. He’s a self-professed music junkie who spends his days at Championship Vinyl with his two employees Dick and Barry. Although they have an encyclopedic knowledge of pop music and are consumed with the music scene and creating their all-time favorite top-five lists of subject specific songs, it’s of no help to Rob whose needle skips the love groove when his long-time girlfriend Laura walks out on him. As Rob examines his failed attempts at romance and happiness the process finds him being dragged kicking and screaming into adulthood.

Captain Nathan Algren served in the American Civil War where he risked his life for his country. He served out his career in the West where the battle was with Indians and it was here that he became disillusioned and lost… In a far-off land a celebrated Samurai warrior, Katsumoto, is learning about change. A life of service to the Emperor and the country is being replaced with survival in a time of modernisation… Fate has it that both men will face each other and make a stand against those that would threaten honour and values… Captain Nathan Algren is employed to train a group of Japanese conscripts who will replace the Samurai warrior. But he is captured by the Samurai, an enemy he comes to respect and for whom he is prepared to make the ultimate sacrifice.

A fake Fabergé egg and a fellow agent’s death leads James Bond to uncovering an international jewel smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on NATO forces.

In director Wolfgang Petersen’s fast-paced, intelligently written thriller, Dustin Hoffman plays Col. Sam Daniels, an expert on infectious diseases who is called in to study the outbreak of a deadly illness in Zaire. He finds a virus that spreads so quickly it could wipe out an entire nation in just a few weeks, and he believes that it might have spread to the United States. With the help of his ex-wife (Rene Russo), who works at the Centers for Disease Control, Daniels tracks the virus to the quiet seaside town of Cedar Creek, California. His superiors’ reticence to help begins to raise questions in Daniels’s mind, and he must find a cure before a panicky U.S. army general decides to kill the town’s populace in order to save the world.

The lead character of Oye Lucky! Lucky Oye is a thief who, thanks to his superior intelligence and outsized charm, placates law enforcement figures as well as his various victims. After developing a taste for the finer things in life, the main character sets about stealing a wealthy playboy’s identity.

Two strangers – a boy and a girl, accidently meet on a Bombay street. The boy is hungry and the girl is looking for fun. They strike a deal – Food in exchange for fun- a night of non-stop entertainment. They move through the streets, singing, dancing, laughing and enjoying themselves, unaware of the crisis gripping the country and the fact that emergency has been declared and presidents rule has been imposed. Meantime, an underworld don has replaced the president with a lookalike to rule the country. The boy and the girl get wind of this conspiracy and inspite of all the terror and violence, they manage to save the country. this is – Oh Darling Yeh Hai India.

Legendary car thief/booster Randall ‘Memphis’ Raines (Nicolas Cage) retired from the criminal life in 1995. Now five years later after Auto Thieft in the greater Los Angeles/Long Beach district went down by 47%, his brother, Kip Raines (Giovanni Ribisi) takes over ‘the job’, employed by British car broker Raymond Calitri. When one night Kip messes up stealing some cars, Memphis gets called back to the life he got out of. His most impossible mission: Steal 50 exotic cars all over Los Angeles and Long Beach and deliver them to Long Beach Harbor, Pier 14 by 8:00am, Friday morning, on the button, or watch Calitri kill Kip. And so Memphis, with the help of longtime friend Otto Halliwell (Robert Duvall) reassembles his old crew which includes sexy Sara ‘Sway’ Wayland” (Academy award-winner Angelina Jolie), a renegade white-haired mechanic by day, bartender by night, to pull off the biggest mission ever. The only problem is the LAPD G.R.A.B. (Governor’s Regional Auto Bureau) is on the lookout and Dt. Roland Castlebeck (Delroy Lindo) and his partner are keeping close eyes on Memphis and his team. Can the team pull this assignment off and collect $200,000 in cash? Will Kip finally realize that car boosting is dangerous? And can Memphis escape Castlebeck and the cops? It’s a long shot, but they may have a chance. Cut to the chase.

The co-pilots on a secret mission become arch enemies when the nuclear bomb-load is hijacked. It appears one is the mastermind behind the plot.. and the other must use all of his skills to beat him at his own game…

Set against the backdrop of civil war and chaos in 1990’s Sierra Leone, Danny Archer, a South African mercenary, and Solomon Vandy, a Mende fisherman are joined in a common quest to recover a rare pink diamond that can transform their lives. While in prison for smuggling, Archer learns that Solomon–who was taken from his family and forced to work in the diamond fields–has found and hidden the extraordinary rough stone. With the help of Maddy Bowen, an American journalist whose idealism is tempered by a deepening connection with Archer, the two men embark on a trek through rebel territory–a journey that could save Solomon’s family and give Archer the second chance he thought he would never have.

Odysseus and The Isle of The Mists stars Arnold Vosloo (The Mummy) in an original Sci Fi Channel movie. Odysseus and The Isle of The Mists tells of the island of Circe and when Odysseus tries to free his crew to sail away. Homer is a young sailor crewing with Odysseus and his men.

This turns the TV show DEAD SET into a true zombie movie. Gone are the dragging, too funny, annoying and over-the-top scenes to present an extraordinary quality horror film from the UK. The idea was simple, the creation not so much, most of all because of technical problems though. Turning DEAD SET into a true zombie movie tries to take all the best horror elements from it and leave all what was distracting from that on the cutting floor. That’s why the audience really meets the Big Brother inmates when Kelly enters the Big Brother house, not before that. The plot has been trimmed for better pacing and the worst over-the-top moments have been removed (most of all those are scenes with Patrick – the producer) as well as dragging conversations or scenes that lead nowhere. By recoloring and correcting the brightness the image quality reflects more of a movie experience, because the original show was incredibly dark and made days almost look like nights.

Orphaned as a baby Kendrick has been raised by his elder brother Darius. Having grown into a great warrior, Darius is determined to protect his brother from all harm. However stories are spreading that fierce dragons are once again ravaging the land, and Darius decides to travel with Kendrick to the castle of Ocard, where Dragon Hunters are trained. But they will first have to overcome a number of enemies along the way.

A mad bomber with a vendetta against a young cop plants a bomb on a bus in L.A. The hero, with the help of a beautiful passenger, must diffuse the explosive device which is set to detonate if the bus slows to under 50 miles per hour.

Jovial comedy Old School sees three thirtysomething friends with woman troubles (Luke Wilson, Will Ferrell and Vince Vaughn) deciding to form a college fraternity. It’s supposedly to save Wilson from losing his house, which the nearby college is trying to claim for academic purposes, but really Ferrell and Vaughn are desperate to return to the reckless, feckless days of beer bongs and hot chicks, and they drag Wilson along with them as they throw themselves into gathering frat pledges of all ages. Old School could have been just another string of bad jokes hanging on a flimsy plot, but the script and the cast have energy and just enough grounding in reality–at least, up until the obligatory beat-the-system ending, but by that point you’ll forgive the excesses of this silly, cheerful, and frequently funny movie. Featuring Jeremy Piven and Juliette Lewis, with cameos by Snoop Dog, Andy Dick, and others

After a lifetime of being exploited by unscrupulous employers, pushed around by sleazy boyfriends, persecuted by the police, and unable to escape from the undertow of ghetto life by socially approved means, a quartet of Angelina women arm themselves to the teeth and bust up banks in this provocative and intriguing social drama.

Born to a family of established court painters, seven-year-old Yun-jeong is a young girl gifted at painting. However, the pressure is on her brother to carry on the proud family tradition, as women aren’t allowed to become professional painters. While her brother trains to take his place in the court, Yun-jeong helps him out by secretly painting for him. The little girl’s life is turned upside down when her brother kills himself. In order to preserve the family honor, she is forced to take her brother’s name and lives as a man. Yun-bok’s genius and talent captures the heart of another great master of the time, Kim Hong-do. But her daring depictions of women are condemned by the royal institute as obscene. Yun-bok meets Kang-mu and falls deeply in love. For the first time, she feels the strong desire to abandon everything she has built and simply be a woman in front of the man she loves. Kang-mu sacrifices all for his love as well. Kim Hong-do, who loved the genius of his best student, ends up loving everything about her, and Seol-hwa, a Gisaeng at the courtesan house, possesses a love for Hong-do that turns into fatal jealousy. The secret behind Shin Yun-bok’s masterpiece, Portrait of a Beauty, is finally revealed after 250 years of silence.

Murderesses Velma Kelly (a chanteuse and tease who killed her husband and sister after finding them in bed together)and Roxie Hart (Who killed her boyfriend when she discovered he wasn’t going to make her a star) find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.

Two separate pairs of voluptuous women are stalked at different times by a scarred stuntman who uses his “death proof” cars to execute his murderous plans.

An atomic submarine cruising the Pacific Ocean discovers a gargantuan octopus concealed in the ocean depths. By the time they figure out that the monster is the nasty byproduct of a hydrogen bomb experiment gone awry, the creature is already well on its way to destroying San Francisco. The sea creature is yet another fantastic example of masterful stop-motion animation from the technique’s master, Ray Harryhausen.

Franco Nero is Keoma a “half-breed” loner and gunfighter who after years away returns to his childhood home. When there he discovers the town is run by a greedy landowner and his sadistic bandits, he also comes into conflict with his much despised and vengeful half brothers…
“Keoma” is directed by Enzo G. Castellari (The New Barbarians/Street Law) and it’s an absolutely brilliant film and one of the best westerns ever made. The cinematography is outstanding with beautiful scenery and there are numerous imaginative and high class scenes. You could say there are influences from Leone and Peckinpah but Castellari has a style all of his own and his talent as a director is showcased to the full here. The action sequences are of the highest quality packed with suspense and violence and are enjoyable and exciting. Franco Nero puts in a great powerful performance in the lead and other cast members include William Berger (Sabata), Olga Karlatos (Zombie), Donald O’Brian (Zombie Holocaust) and Woody Strode.

New York football star Flash Gordon vaults into outer space to battle the nefarious Ming, supreme ruler of the planet Mongo. Ming intends to conquer planet earth, and hunky Flash teams up with several of his daring female admirers, as well as the brilliant Dr. Zarkov, in an effort to thwart the monomaniacal evil-doer.

When the Police Academy adopts a completely open admissions policy, no height or weight restriction, and most worryingly no intelligence tests. Hence a large number of unemployable social misfits promptly enroll. The academy instructors have the most difficult wave of recruits to train up: they include Laverne Hooks the tiny voiced woman; Karen Thompson the sociopath (Kim Cattrall); Eugene Tackleberry the firearm fan and Larvell Jones the walking sound-effect. Carey Mahoney (Steve Guttenburg) is a reluctant cadet of a different kind–he must last the course at the Academy as an alternative to jail. This hilarious motley crew are the last, blundering buffoons you would want as upholders of the law, as your protectors. The crooks never had it so good.

One of the greatest action movies of the late 1980s, DIE HARD ushered in a new standard for the genre. With the dissolution of the Cold War, both the stereotypical Russian threat (represented in movies such as TOP GUN and RED DAWN) and the destructive egoist (as seen in OCTOPUSSY) became less fearful. With DIE HARD, director John McTiernan introduced Hollywood to a new type of villain: the terrorist entrepreneur. Alan Rickman stars as Hans Gruber, a relentless businessman whose lethal tactics achieve his goals. Unlike most ’80s film villains who committed globally dangerous acts for liberty, genocide, or megalomania, DIE HARD’s Gruber uses guns, explosives, and cunning to storm the Takagi Corporation’s Christmas party and heist millions of dollars from the company. In addition, DIE HARD also saw the development of the clumsy or bad luck hero with John McClane (Bruce Willis), a man in the wrong place at the wrong time who chooses to intervene. Action fans would see this misfit hero archetype again in UNDER SIEGE (Steven Segal) and THE PHANTOM MENACE (Jar Jar Binks). Although DIE HARD contains many action movie cliches (one-liners, pyrotechnics), it also broke new ground in its genre.

An abortion clinic worker with a special heritage is called upon to save the existence of humanity from being negated by two renegade angels trying to exploit a loophole and re-enter Heaven.

A boy who needs a friend finds a world that needs a hero in a land beyond imagination!

Once again, for the fifth year in a row, TV weatherman Phil Connors (Bill Murray) is forced to cover the Groundhog Day ceremonies in Punxsutawney, Pennsylvania, an assignment he truly despises. But this year something truly bizarre happens after he finishes the report: When he wakes up the next morning, ready to leave, he discovers it’s February 2 all over again. He tries to tell his producer, Rita (Andie MacDowell), what’s happening, but neither she nor anyone else understands; only he remembers that they’ve already lived through Groundhog Day. When the same thing happens the next morning, he thinks he’s going insane and wreaks havoc all through the town. More and more mornings pass, all of them February 2, and all of them with an ever angrier Phil. Desperate to escape, he even tries suicide, but still another February 2 dawns. As he starts realizing that his exploits are not making time march on any quicker, Phil begins to change his behavior, performing a series of lifesaving tasks until he becomes a model citizen, hoping it will be enough to get him out of Punxsutawney forever. Along the way he learns more about the people around him–and himself–than he ever thought possible. The film is extremely well put together by director Harold Ramis, and the script by Danny Rubin and Ramis is sharp and clever. The actors–many of whom have to perform essentially the same scene over and over again, with only subtle differences–is a riot.

A rash of suicides hit the small community of Grovetown, causing fear and panic among local residents. As those around 18-year-old Lindsay continue to die gruesome deaths, she begins to distrust everyone and suspects she will become the next victim.